NEW EP “Don’t Go Alone” OUT NOW!
“Sara Curtin’s songs carry a
sweet honesty…
crystallike voice.”
- The Washington Post
UPCOMING SHOWS
APRIL 18, 2026
Maryland Meadworks (4700 Rhode Island Ave, MD)
7pm: Redacted, 8pm: Sara Curtin, 9pm Lauren Calve
ABOUT SARA CURTIN
Sara Curtin was born and raised in Washington, DC in a very musical household. While her first full-length solo album didn’t come out until 2010, Sara has been singing since before she can remember. A family of professional musicians and rock & roll blasters, the Curtin house was always the loud house on the block - the one you could hear from down the street. The Washington Post calls her voice “angelic”, and That Music Magazine writes that she is "a gifted songwriter who understands that you don’t write because you want to say something, but because you have something to say, and she sure as heck says it exquisitely."
Music has always been a refuge and a lifeline for Curtin. From her early years immersing herself in harmony as a founding member of the Children’s Chorus of Washington, then diving into songwriting as a young adult living abroad, and now as a mother of young twins, Curtin continues to lean in to the gift of music as a way to connect more deeply with others as well as herself. Curtin’s songwriting is personal, often autobiographical, and has always sought to reflect honest and sometimes tough emotions, face vulnerabilities, and make peace with both hopes and losses.
She is inspired by the platform given to her as an artist to produce and present works that open conversations which are typically behind closed doors. Curtin’s 2023 EP “Goodbye Forever” is her most raw and vulnerable release yet and Sara describes it as “an energetic romp through my postpartum depression”.
As a producer and engineer, Curtin records much of her music in her home studio in Washington, DC. Currently set up in the basement, she often has to wait for her children to go to school, or to sleep, before getting down to work.
Sara is a classically trained professional vocalist of over 25 five years, a self-taught multi-instrumentalist (electric & acoustic guitar, ukulele, percussion, accordion, piano), and an accomplished recording engineer. She has performed multiple times each at the 9:30 Club, The Kennedy Center, Strathmore, The Hamilton, The Birchmere, and more.
She is a current recipient of the DC Commission on the Arts & Humanities Artist Fellowship grant (2014 - 2025) and has won multiple Washington Area Music Awards with her folk duo THE SWEATER SET, including the 2021 Wammie for Best Folk Group. Together they have opened for and collaborated with Dar Williams, Aoife O’Donovan, Lucius, Arc Iris, Christylez Bacon, and toured the UK, Ireland, and the United States with Michelle Shocked. In 2010-11 The Sweater Set were Artists-In-Residence at Strathmore in Bethesda, MD.
In 2020 THE SWEATER SET was featured in The Washington Post as some of their “favorite people”.
Photos by Alan Kayanan & Amanda Reynolds
PRESS
Sara Curtin’s songs carry a sweet honesty. This is evident on “Blame Time,” the first song of her 2017 project, “Or So It Seemed.” A slow and steady strumming immediately evokes nostalgia as Curtin’s crystallike voice floats in. It’s a song about fading relationships; the folksy D.C. native blames time, as the title says, but also herself. Curtin hits the crux of why fraying friendships hurt with lyrics like, “Syndicated memories of running wild in Brooklyn.” Curtin’s storytelling never reaches saccharine levels of longing but instead finds a balance between vivid recall and honest introspection. On “When Was the Last Time,” she asks the titular question again and again, her layered vocals pushing the listener to sway. Curtin is singing about lost gratitude, about when life gets in the way of appreciating life. “We all seem used to it / And I’ll be the first to admit / I’m happy in bed at sunrise,” she sings, her voice angelic as she delivers a stinging realization. On her 2023 EP “Goodbye Forever,” Curtin sings with her signature clarity but a newer aggression. The woman’s plight of constantly apologizing takes center stage on “So Sorry.” She opens the song swinging — “Sorry I can’t control my mouth / My mouth / Sorry I can’t control what comes out / Or how it sounds to you” — as her voice floats above rock-and-roll-y drums and an echoing electric guitar.
"Music fans who want to discover a truly independent artist should take a look at Sara Curtin's video for "Wellish Home," and enjoy the work of a performer who is delivering great music without any of the noise."
— AXS
"Visionary singer-songwriter"
- GLIDE MAGAZINE
"The emotional spectrum Curtin covers over the course of nine songs makes it impossible to pigeonhole Or So It Seemed as any particular kind of record. At times it’s angry and at times it’s anxious, but it’s also content and hopeful. It’s a full portrait of a human being: nuanced, complex, and contradictory."
"Sara Curtin’s music is pretty darn dreamy. Her voice creates a tapestry of delicate sound. Half of Washington D.C.’s The Sweater Set, Curtin’s solo effort takes that precious quality and gives it a little edge."
- AUDIOFEMME